"[...]The impulse to know personally this elusive, even mysterious, writer has led critics to approach her work in mostly biographical or historical ways, often in defiance of other critical fashions, especially the various formal approaches that have dominated modern literary criticism. The conciliatory Jenkyns suggests embracing two contradictory principles: "first, that it is worth finding out what we can about [a writer's] life, partly as a check on what we believe his purposes to have been, partly in the hope of illuminating aspects of his work which we might otherwise have missed; and second, that ultimately we have to believe the work itself." Neither of these ideas is universally acceptable to all modern critics, but several recent works profitably follow the former direction.[...]"

Taken from an article in The New York Review of Books Vol. 52, # 11, 23 June 2005

Read the entire article/review here: In love with Jane by Diane Johnson

R~

In this thread I post articles I accidentally stumble on, old or new.

The one below is quite old, but interesting enough to post it here.

source: Catholic Reporter

The marriage of true minds: pride and prejudice offers a satisfying and still useful guide to romance - Column/Opinion
Dec 26, 2003 by Kris Berggren

Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it.
Four women seated in the section just to my right at a recent staging of Pride and Prejudice sat at the edges of their seats during a climactic scene in the last act: Mr. Darcy was proposing marriage to Elizabeth Bennet. Finally, one of these women ardently and audibly urged: "Say yes!" We laughed appreciatively She had voiced what many of us probably felt at that moment--vicarious pleasure at a well-deserved happy ending.

Austen's novels evoke the courtesy and restraint of socially proscribed courtship among the 19th-century English gentry. Her protagonists are women coming of age in a time when most women depended on their fathers or husbands for economic livelihood, and their happiness generally hinged on a fortunate marriage. Though Austen largely avoids upstairs-downstairs scenarios, her subtext is class and gender injustice characteristic of her time. Women With no family wealth or social connection to offer a prospective suitor often backed into a corner of reluctant consent to a semi-arranged age that least promised a home to keep and social status as somebody's wife. Whether or not she cared for the man or found him attractive--or even knew him well--could be irrelevant; men and women alike felt the personal unhappiness of such loveless if socially convenient relationships. A widow and her unmarried daughters could be turned out of their home if the husband died and the property was entailed to the closest male relative as was the common practice.

So Pride and Prejudice is not a simplistic story about love at first sight. It's about Elizabeth's and Darcy's growing awareness, over months of chance social encounters, of their mutual attraction and compatibility Each learns, quite simply, to see past his or her prejudices--about family background, gender roles, appearances and social class--and to let go of the pride that prevents them from reaching out to the other in friendship if not romantic love. The novel, like most of Austen's work, is about the triumph of an egalitarian "marriage of true minds," to use Shakespeare's phrase, over marriage as a utilitarian brick in the social foundation or the culmination of a socially engineered fantasy, a la Bride's magazine. Austen's take on romance offers a respite from the "Springerization" of contemporary relationship: the on-air deconstruction of sexual and marital foibles as spectator sport.

And frankly, I find the subtlety typical of Austen's heroines' romantic adventures to be very sexy I don't know, maybe it's a girl thing: To imagine a slow-burning courtship conducted by quadrille or waltz or an elegantly dressed walk about the gardens of a fabulous English estate does a lot more for me than to witness a sloppy couple in spandex or sweats, baseball caps or bad haircuts spewing epithets on Jerry Springer's talk show. Or the notches-on-the-bedpost treatment of sexual relationships that passes for feminist empowerment on a show like "Sex and the City" Or the double standard lifestyles of too many of our male "role models" from Jack Kennedy to Kobe Bryant, family men by day, sexual opportunists by night.

My children are inching closer to a dating world with very few rules of conduct. And it's not easy to play a game with no rules. Of course, I'm glad my daughters' futures do not depend solely on their marriage prospects nor on what I can fork over in guaranteed cash value to their potential husbands. I'm glad social class isn't destiny But I am wistful for a world in which a happy ending seems to elude more and more of us. On marking my 15th wedding anniversary this year, someone told me that my marriage has twice outlasted the average marriage of seven years. That's no cause for celebration, I'm afraid. What is the matter with our expectations of romance and love? Are they too little or too great? Maybe a bit of both.

Austen's lasting commentary on marriage and society shows how honesty, not game-playing, in romance pays off. In her novels, marriage is ideally about personal happiness, but it's also about a well-suited partnership as a healthy hub of family and society--this idea still rings true today. That's a lot of pressure to bear for the bedraggled institution of marriage, but we continue to enter into these partnerships with hope and idealism at the rate of 2.3 million couples a year, or 6,400 couples a day, says the Census Bureau.

Austen, who never married, extols a good marriage as the natural conclusion to her stories--but never without a lesson in self-discovery, her gentle reminder that marriage requires integrity and hard work. In other words, a felicitous wedding is not merely a happy ending with two people saying yes to each other. It's at best a new beginning that will add value not only to the couple's happiness but to the common good of the world they live in.

Kris Berggren writes from Minneapolis. Her e-mail address is krisberggren@msn.com.

I hadn't heard of this book (perhaps I should have... eek), but I just read that it will be released in paperback for the first time March 2006.

For more information surf to: University of Wisconsin-Madison

"[...]Her great gift was characterization and she gave immortality to many of the people she wrote about so that her men and women walked out of the pages of her novels into our lives. Take the relationship between Mr. and Mrs. Bennet in Pride and Prejudice, for instance. If one could find their backstory one would no doubt discover a grave, bookish young man who values intellect above all else but is nevertheless attracted to a vivacious flibbertigibbet because of her physical attributes. The couple grow in different directions over the years, one into reflective scholarship and an acerbic wit, the other into a preoccupation with maternal and materialistic ambition. When we meet them, the relationship is one of indifference even ridicule on the one part and incomprehension on the other. Do we not see examples of relationships among our own married acquaintances today which almost exactly mirror these circumstances? The difference is only that the older generations accepted and bore their personal differences and disappointments through years of sadness and pain, while today so many couples prefer to end the relationship because divorce no longer carries social stigma or criticism.[...]"

Read the entire article here:

Painting a miniature on two inches of ivory




Renée

"A Jane for all ages
From quill pen to IM, the passion for all things Austen is constant. Today she takes her mannered place in novels, films, blogs, iPods - and a cookbook."

The Philadelphia Inquirer

A nice article I found in my mailbox this morning.

Enjoy!

Renée